A Musical See-Saw
Tuesday, August 05, 2008
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When I was a small child, I really enjoyed going to the park to play on the playground equipment. I think my favorite may have been the twister slide, you know, the one that seemed like it was a mile high and went down in a corkscrew shape. Of course, I really enjoyed clambering about on the support bars like some sort of wild monkey. Back then, playgrounds had equipment that was deemed to be fun, and manufacturers were not as concerned about lawsuits and liability as they are today.
One of the common pieces of equipment on every playground was a device known as a see-saw or teeter-totter. It was a long, thick board balanced across a fulcrum or support in the exact center of the board. Ideally, two children who weighed approximately the same would sit on either end of the board and would alternately jump up, making the other end go down, and then sit heavily on the board to cause their end to go back down, making the other end rise. Up and down we would go, entertaining ourselves for a few moments. Sometimes, the child on the other end would fall off or jump off, causing my end to crash down to the ground, and knocking me off in the process as well.
Music preferences and standards tend to be like that. When we get too much weight or momentum on one end or the other, we can have the tendency to fall off into areas that we should not be in. I tend to categorize the two ends of the musical see-saw as folk-type music styles on one end, with the more classical, educated types of music on the other end. Within this spectrum, there are many fine examples of music that are fit for human consumption and are perfectly legitimate pieces of music for the Christian to listen to.
The problem comes when fall off one end or the other. The negative aspects of folk-type music tend to be issues like rebellion, immorality, freedom from all restraint, music that appeals to the flesh predominately, music for purely amusement or entertainment, etc. Classical music can become an overly intellectual exercise, can promote arrogance and disdain for those who have not been trained in it, and can become an arena for man to promote the idea that life is meaningless and purposeless. Just listen to some of the horrendous 20th century classical pieces.
Both ends of the musical teeter-totter have their problems. Both extremes should be avoided by Christians. I like to think of the issue this way: some music reaches the foot, some music reaches the head, but as a Christian, I want to reach the heart.
So instead of referencing our music as being of a “higher” standard (which is more often applied to classical styles of Christian music) or “lower” standard (the folk music type), we really ought to be thinking about having a more balanced, Biblical music standard. Music should not speak to us primarily physically, nor should it speak to us primarily intellectually. Music should speak to us on a spiritual level. It should be “balanced,” so that it reaches our spirit, that part of us that relates to God.
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Curtis Hollembeak
Curtis holds a bachelor's degree in Bible with a music minor, as well as a master's degree in Sacred Music, having studied under Dr. Frank Garlock, president of Majesty Music, and Ray and Ann Gibbs, well-known Christian singers. He has served as music director and jr. high/high school supervisor at Grace Baptist Church of Mankato, Minnesota; school music director at the Franklin Road Christian School in Murfreesboro, Tennessee; media engineer for the Sword of the Lord in Murfreesboro, Tennessee; and, full-time music director at Second Baptist Church and Twin City Christian Academy in Festus, Missouri. He is currently self-employed and serves in the music ministry of the Berean Baptist Church in Rockford, IL. Curtis is co-founder and President of the Asaph Music Co. He regularly sings bass with the Bible Truth Chorale on recordings produced by Bible Truth Music at Faith Music Missions.
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Free Academic Calendar for 2011-2012Oh, Lord, Make Me More Like Asaph!
Psalms, Hymns and Spiritual Songs
Habakkuk - The Musical Prophet
Musical Wisdom
Music for Resurrection Sunday
Which Direction Are You Headed?
The Commandment of the Lord
The Heart of the Matter
"And the Prisoners Heard Them"
Past Articles:
A Musical See-SawA Wise Person Remains Ignorant
All Things To All Men
An Audience of One
And the Singers Sang Loud
Be a Blessing, Not a Distraction
Be Wise, Increase Learning
Bible References to Music
By Ear or By Note?
Congregational Singing
Connect with the Message
Does Music Matter?
Find Your Unique Voice
Following a Multitude to Do Evil
God Did Not Create Music
God Has No "Gray Areas"
God's Message Through Music
Hezekiah's Revival
Hit What You Aim For
How Can I Be Relevant to the Culture?
How Strong is Your Cord?
If the Devil Were a Musician...
Jubal, Father of Musical Instruments
Lord, I Need You!
Music Is Preaching
Music Mimics Life
Music Standards or Bible Standards?
Music Success Posters
Music That Touches the Soul
Music vs. Lyrics
Musical Joy!
Old Testament Musicians
On Top of Spaghetti
Overtones Reveal the Nature of God
Owed to the Church Choir
Pass It On
Preaching to the Choir
Putting Music into Their Hands
Resolutions for a New Year
Revival Results in Singing
Ring the Bells
Singing Men and Singing Women
So, What's Your Plan?
Some Thoughts About Hymn Singing
Stripes, Stocks, and Songs
Striving for Excellence
Surrounded by God's Song
Thank You, Lord, for Music
The 3-Way Influence of Music
The Composer of 1,005 Songs
The Distinctive Church Piano
The Forgotten Doctrine
The Last Song
The Pleasant Harp
The Principle of Replacement
The Problem with Scoops and Slides
The Purpose of Church Music
The Role of the Listener
The Service of Song
The Song that God Wrote
The Song that Won a War
The Unnamed Minstrel
Think Big!
This Little Light of Mine
Tips for Special Music
Under the Hands of their Fathers
We're Failing Our Children
Who Hath Made Man's Mouth?
Who was Asaph?
Who Writes the Music of Your Life?
You Asked for It

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